There is a wealth of information on the internet about composition—endless blog posts about visual rules, geometrical concepts, and photos with all kinds of lines and shapes drawn over them to the prove the point. But all of this information focuses on the ‘what’ of composition rather than the ‘why.’ A photographer must stop and ask themselves: ‘why even bother following visual rules?’Read More
These days, when I’m leading street photography workshops people often ask me: "what if someone gets angry when I take their picture?"
It’s an interesting question based on two assumptions. The obvious assumption is that people are likely to get angry when being photographed. The less obvious one is that people have a good reason to get angry—that being photographed in public is something to get angry about.Read More
In its methodology, photography can be reduced to a series of decisions which determine the exact characteristics of each photo. When conducting street photography, in particular, the opportunity to make these decisions is limited. The process begins slowly, with lots of time allowed for selecting gear, setting the camera, and so on. It then advances to a fast stage with little time for the photographer to react—the actual moment when the photograph is taken. This is followed by another slow stage after the decisive moment in which the photo can be edited and processed.Read More
Have you ever cursed your camera for missing that special moment in the streets? Do you ever struggle to get the subject quickly in focus before the fleeting moment is lost forever in the aether? Well then why not try manual focus? Below is a brief guide to a few key manual focus techniques that can help you capture the decisive moment.Read More