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Tokyo Photographer - Lukasz Palka

Tokyo Photographer
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Keystone Essays >>

A Cyberpunk Street Photography Workshop in Tokyo

September 21, 2019

It is no secret that one of the major inspirations for photographers in Tokyo is cyberpunk media. Although, the relationship is better seen as a feedback loop, since most works in the cyberpunk genre were, at least in part, inspired by Tokyo, particularly back in the 70s and 80s. In fact, I had the pleasure of seeing the original Blade Runner (1982, Final Cut) in IMAX just last week. It was a magical experience for me as the film has long been a key inspiration for me (as it has for so many others), both in its themes and content, but also in its cinematography particularly the film’s use of lighting and color.

A dark passage in Kabukicho — Nikon D4, 28mm, f/1.4, 1/60, ISO-450

A dark passage in Kabukicho — Nikon D4, 28mm, f/1.4, 1/60, ISO-450

I don’t need to go into the long list of cyberpunk movies, video games, comics, etc. that can be said to share their aesthetic qualities with those of this awesome city. But this feedback loop certainly exists, and as more and more people are exposed to cyberpunk media some of them eventually venture to Tokyo with the express goal of creating their own unique works imbued with the qualities that ring so strongly in that beloved genre. I am definitely one of those who made this pilgrimage long ago, and I just happened to stick around.

Driving through a sea of light — Nikon D4, 28mm, f/2.8, 1/250, ISO-1250

Driving through a sea of light — Nikon D4, 28mm, f/2.8, 1/250, ISO-1250

A few years back I went into business running EYExplore with another Tokyo-based expat, Axel Deroubaix. At the time, we were already big fans of this cyberpunk stuff and were ourselves deeply entrenched in this creative feedback loop. This was one reason why we settled our company HQ in a capsule at the Nakagin Capsule Tower, as it is an icon of post-war futurism and now a relic of a future-never-been, it has evolved into a physical manifestation of the cyberpunk ethos. So, it was maybe a bit funny that for a long time we didn’t have an explicitly cyberpunk workshop on our menu. At some point early on we did of course come up with Tokyo Vertigo—which totally fits the bill—but it is geared to a very specific type of photography involving tripods and the exploration of …ahem… inaccessible places.

Metropolitan Blues — Nikon D4, 70mm, f/2.8, 1/250, ISO-2200

Metropolitan Blues — Nikon D4, 70mm, f/2.8, 1/250, ISO-2200

What we were missing is an on-the-ground, in-your-face adventure into the deep, dark, neon-filled core of the Tokyo metropolis. What’s more, cyberpunk is not as much about cityscapes as it is about the denizens found therein. The people of the streets make the city come alive with stories that might come straight out of a futuristic dystopia. So, what we needed was a street photography workshop with a focus on urban grit, neon lights, and street life.

A bird caged in the night — Nikon D4, 70mm, f/2.8, 1/30, ISO-2200

A bird caged in the night — Nikon D4, 70mm, f/2.8, 1/30, ISO-2200

And so, over the past few months I came up with Tokyo Cyberpunk Streets. I have been venturing into the darker reaches of Tokyo for the past decade, so it made sense that I should come up with a workshop focused on this theme. Keep in mind, even if you’ve never heard of ‘cyberpunk’ you stand to gain much from what is essentially a Tokyo night street photography workshop. It is meant for street photographers that are looking for ideas and tips on how to take their night street photography to the next level. I teach useful techniques such as panning, working with striking effects like silhouettes and reflections on unexpected surfaces, as well as composition and optimal camera settings, of course. In fact, check out one of the videos on the EYExplore YouTube channel for a brief tutorial on panning taxis and cars in Shinjuku, as it is exactly one of the things that I cover on this photography workshop.

Deep in the bowels of Shinjuku — Nikon D4, 70mm, f/2.8, 1/15, ISO-1400

Deep in the bowels of Shinjuku — Nikon D4, 70mm, f/2.8, 1/15, ISO-1400

Androids — Nikon D4, 40mm, f/2.8, 1/250, ISO-720

Androids — Nikon D4, 40mm, f/2.8, 1/250, ISO-720

But more important than the techniques are the stories. The workshop ventures into the gritty underbelly of Tokyo’s red-light districts—Kabukicho and Dogenzaka. Here we can explore the contrast between bright neon lights and dingy alleyways, and these rich and inspiring places allow us to craft photos that themselves convey Tokyo’s uniquely cyberpunk narratives. So, join me on this photo workshop in Tokyo’s cyberpunk streets!

In Learning Tags street photography, night, cyberpunk, tokyo, photography workshop
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Keystone Essays

2021

2021 Oct 10 The Ethics of Street Photography

2021 Sep 26 Values in Photography and Art

2020

2020 Jun 20 Street Photography, Mindfulness, Zen, and Flow

2020 Jun 13 Learning How to See

2020 Jun 6 The Content Diet for Creativity

2020 May 9 10 Photographic Fallacies

2020 May 2 Elements of Street Photography

2020 Apr 25 You Don’t Need a Camera to be a Photographer at Heart

2020 Apr 11 A Quest for Authenticity

2019

2019 Jun 15 I Don’t Care About Cameras (Mostly)

2019 Jun 8 How to Get Better at Street Photography

2019 Jun 1 Optimizing Your Night Street Photography

2019 May 19 Beyond Mere Composition in Photography

2017

2017 Sep 3 Becoming a Hermit in the Woods

2017 Jul 14 A Journey on the Rooftops of Tokyo

2016

2016 Dec 7 Positivity in Street Photography

2016 Mar 19 A Photograph is an Experience

2013

2013 Nov 29 A Series of Decisions

2013 Jun 5 Candid vs. Interactive Street Photography

2013 Apr 2 Mastering Manual Focus

“Creativity is the product of curiosity and rigor.”