A common question we get on our photo workshops is ‘where do I focus?’ When the subject is obvious the answer is easy—focus on the subject! But this question more often comes up in the context of urban landscape and architecture photography. So, let’s narrow the focus of this article to that genre and go into some focusing techniques as well.Read More
Over my years shooting digital long exposures of the neon nightscape of Tokyo, I found that there are two basic approaches. One is to shoot as long as possible with as much traffic as possible, while the other is to shoot relatively short exposures while exercising excellent timing. For the basics on this kind of shooting, refer to my previous post on long exposure photography. You can also book EYExplore's Tokyo By Night Photo Adventure to learn all about long exposures in Tokyo.Read More
Have you ever wondered how to get a night shot of the city with intense, fiery light trails? Well then read on my friends! This blog post is for those who want to learn how to shoot long exposure shots from the basics, as well as those of you who have already joined EYExplore's Tokyo By Night Photo Adventure and want to recap the settings and techniques you already learned.Read More
What drives me up the stairs—ten eleven twelve flights at a time—is curiosity. I harbor a desire to discover unusual beauty in a chaotic urban landscape. To me, the rooftops are the ‘final frontier’ in Tokyo. The streets are crawling with photographers, but few venture off the ground and into the concrete canopy—but I want to see what I can create up there. The lights and vibrations of the rooftops weave images in my mind—images which I can call my own. Obtaining a unique perspective in photography is like finding a pearl in a sea of glass beads. The chance to glimpse uncommon sights is intoxicating. It is this pursuit of a narrative individual to myself which keeps me coming back. On the roofs, I find my own voice.Read More
I found myself crouching in a puddle of water and grease, hunkered down in the dim twilight of a narrow crevasse in the canyons of Ginza. The afternoon sunlight was a distant dream ten stories above trickling down along dust-caked walls. The aroma of trash permeated the air, a rat scurried past and entered a crack in the pavement as if absorbed. But I ignored all this and focused on what brought me to such an unpleasant place—the photography.Read More
Tokyo is filled with bicycles—all sorts of bicycles. They range from trend-setting fixed gear bicycles to plain ‘mamachari’ (or old lady bike in other words), to hi-tech carbon fiber one-off syntheses of technology and art that could be straight out of a cyberpunk video game. Their multitude of variations-mutations-customizations keep me on the hunt, but what obsesses me is not their uniqueness but their ubiquity—their commonalities.Read More
These days, when I’m leading street photography workshops people often ask me: "what if someone gets angry when I take their picture?"
It’s an interesting question based on two assumptions. The obvious assumption is that people are likely to get angry when being photographed. The less obvious one is that people have a good reason to get angry—that being photographed in public is something to get angry about.Read More